Cold Water, Dry Stone
QUORUM: Kim Cole-Luevano, Winston Collier, Midori Koga, Timothy McAllister, Alison Shaw, Carolyn Stuart, with Jen Goltz.
The composer writes: "I grew up on the edge of the suburbs. Living at a balance point between urban and rural, I did not fully belong in either world but always moved in both: symphony concerts, shopping malls, and trips to museums on one hand, and fields, ponds and endless walks in the woods on the other. I also occupied the dividing line between folk and classical music, surrounded as I was by my father's equally enthusiastic renditions of Tchaikovsky on the violin and John Henry on the five-string guitar. I came to love the beauty of in-between spaces." It can safely be said that Evan Chambers' music occupies most imaginatively all these in-between spaces.
QUORUM: Kim Cole-Luevano, Winston Collier, Midori Koga, Timothy McAllister, Alison Shaw, Carolyn Stuart, with Jen Goltz.
The composer writes: "I grew up on the edge of the suburbs. Living at a balance point between urban and rural, I did not fully belong in either world but always moved in both: symphony concerts, shopping malls, and trips to museums on one hand, and fields, ponds and endless walks in the woods on the other. I also occupied the dividing line between folk and classical music, surrounded as I was by my father's equally enthusiastic renditions of Tchaikovsky on the violin and John Henry on the five-string guitar. I came to love the beauty of in-between spaces." It can safely be said that Evan Chambers' music occupies most imaginatively all these in-between spaces.
